<?xml version="1.0" encoding="UTF-8"?>
<!DOCTYPE article PUBLIC "-//NLM//DTD Journal Publishing DTD v3.0 20080202//EN" "https://jats.nlm.nih.gov/nlm-dtd/publishing/3.0/journalpublishing3.dtd">
<article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" article-type="research-article" dtd-version="3.0" xml:lang="en">
<front>
<journal-meta>
<journal-id journal-id-type="publisher">ISPRS-Archives</journal-id>
<journal-title-group>
<journal-title>ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences</journal-title>
<abbrev-journal-title abbrev-type="publisher">ISPRS-Archives</abbrev-journal-title>
<abbrev-journal-title abbrev-type="nlm-ta">Int. Arch. Photogramm. Remote Sens. Spatial Inf. Sci.</abbrev-journal-title>
</journal-title-group>
<issn pub-type="epub">2194-9034</issn>
<publisher><publisher-name>Copernicus Publications</publisher-name>
<publisher-loc>Göttingen, Germany</publisher-loc>
</publisher>
</journal-meta>
<article-meta>
<article-id pub-id-type="doi">10.5194/isprs-archives-XLII-2-W15-193-2019</article-id>
<title-group>
<article-title>DIGITAL SURVEY IN BRAMANTE'S MASTERPIECES</article-title>
</title-group>
<contrib-group><contrib contrib-type="author" xlink:type="simple"><name name-style="western"><surname>Bolognesi</surname>
<given-names>C.</given-names>
</name>
<xref ref-type="aff" rid="aff1">
<sup>1</sup>
</xref>
</contrib>
<contrib contrib-type="author" xlink:type="simple"><name name-style="western"><surname>Fiorillo</surname>
<given-names>F.</given-names>
</name>
<xref ref-type="aff" rid="aff1">
<sup>1</sup>
</xref>
</contrib>
</contrib-group><aff id="aff1">
<label>1</label>
<addr-line>Department of Architecture, Built environment, and Construction engineering (ABC), Politecnico di Milano, Milano, Italy</addr-line>
</aff>
<pub-date pub-type="epub">
<day>20</day>
<month>08</month>
<year>2019</year>
</pub-date>
<volume>XLII-2/W15</volume>
<fpage>193</fpage>
<lpage>200</lpage>
<permissions>
<copyright-statement>Copyright: © 2019 C. Bolognesi</copyright-statement>
<copyright-year>2019</copyright-year>
<license license-type="open-access">
<license-p>This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this licence, visit <ext-link ext-link-type="uri" xlink:href="https://creativecommons.org/licenses/by/4.0/">https://creativecommons.org/licenses/by/4.0/</ext-link></license-p>
</license>
</permissions>
<self-uri xlink:href="https://isprs-archives.copernicus.org/articles/isprs-archives-XLII-2-W15-193-2019.html">This article is available from https://isprs-archives.copernicus.org/articles/isprs-archives-XLII-2-W15-193-2019.html</self-uri>
<self-uri xlink:href="https://isprs-archives.copernicus.org/articles/isprs-archives-XLII-2-W15-193-2019.pdf">The full text article is available as a PDF file from https://isprs-archives.copernicus.org/articles/isprs-archives-XLII-2-W15-193-2019.pdf</self-uri>
<abstract>
<p>This paper is part of a current of researches that deal with the survey of Cultural Heritage as the first tool of knowledge and
dissemination of the memory and value of ancient architecture. The progress of survey techniques and the spread of new tools and
measurements instruments obliges frequents update in our project; the survey also compares itself with progression over the time,
especially when the context of interest is broad as in the case here described. Here the complex of Santa Maria delle Grazie has been
surveyed starting from the Chiostro delle Rane and Old Sacristy, including the room of the Candle man, by Donato Bramante, the
Chiostro del Priore, built through the years with the aid of Beltrami and Portaluppi, and the New Sacristy. The cathedral survey and
the Last supper room together with The Chiostro dei Morti has not yet been included; this first part has been considered as a first cross
section enough to present first problems, techniques and aims. In addition, the destination of the survey in progress has been evaluated
on a broad spectrum: from comparison with other Bramante’s masterpieces to the map rendering of some of its decorated parts to the
construction of simple meshes for the reconstruction of virtual environments. This is the reason why some part of the complex has
been surveyed with more attention and high-detail while other with more simplicity and low-detail, not only to spare time.</p>
</abstract>
<counts><page-count count="8"/></counts>
</article-meta>
</front>
<body/>
<back>
</back>
</article>
