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<front>
<journal-meta>
<journal-id journal-id-type="publisher">ISPRS-Archives</journal-id>
<journal-title-group>
<journal-title>The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences</journal-title>
<abbrev-journal-title abbrev-type="publisher">ISPRS-Archives</abbrev-journal-title>
<abbrev-journal-title abbrev-type="nlm-ta">Int. Arch. Photogramm. Remote Sens. Spatial Inf. Sci.</abbrev-journal-title>
</journal-title-group>
<issn pub-type="epub">2194-9034</issn>
<publisher><publisher-name>Copernicus Publications</publisher-name>
<publisher-loc>Göttingen, Germany</publisher-loc>
</publisher>
</journal-meta>
<article-meta>
<article-id pub-id-type="doi">10.5194/isprs-archives-XLII-2-W5-335-2017</article-id>
<title-group>
<article-title>“DIGITAL HERITAGE” THEORY AND INNOVATIVE PRACTICE</article-title>
</title-group>
<contrib-group><contrib contrib-type="author" xlink:type="simple"><name name-style="western"><surname>He</surname>
<given-names>Y.</given-names>
</name>
<xref ref-type="aff" rid="aff1">
<sup>1</sup>
</xref>
</contrib>
<contrib contrib-type="author" xlink:type="simple"><name name-style="western"><surname>Ma</surname>
<given-names>Y. H.</given-names>
</name>
<xref ref-type="aff" rid="aff1">
<sup>1</sup>
</xref>
</contrib>
<contrib contrib-type="author" xlink:type="simple"><name name-style="western"><surname>Zhang</surname>
<given-names>X. R.</given-names>
</name>
<xref ref-type="aff" rid="aff1">
<sup>1</sup>
</xref>
</contrib>
</contrib-group><aff id="aff1">
<label>1</label>
<addr-line>Tsinghua Heritage Institute for Digitization, Beijing 100085, China</addr-line>
</aff>
<pub-date pub-type="epub">
<day>18</day>
<month>08</month>
<year>2017</year>
</pub-date>
<volume>XLII-2/W5</volume>
<fpage>335</fpage>
<lpage>342</lpage>
<permissions>
<copyright-statement>Copyright: &#x000a9; 2017 Y. He et al.</copyright-statement>
<copyright-year>2017</copyright-year>
<license license-type="open-access">
<license-p>This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this licence, visit <ext-link ext-link-type="uri"  xlink:href="https://creativecommons.org/licenses/by/4.0/">https://creativecommons.org/licenses/by/4.0/</ext-link></license-p>
</license>
</permissions>
<self-uri xlink:href="https://isprs-archives.copernicus.org/articles/XLII-2-W5/335/2017/isprs-archives-XLII-2-W5-335-2017.html">This article is available from https://isprs-archives.copernicus.org/articles/XLII-2-W5/335/2017/isprs-archives-XLII-2-W5-335-2017.html</self-uri>
<self-uri xlink:href="https://isprs-archives.copernicus.org/articles/XLII-2-W5/335/2017/isprs-archives-XLII-2-W5-335-2017.pdf">The full text article is available as a PDF file from https://isprs-archives.copernicus.org/articles/XLII-2-W5/335/2017/isprs-archives-XLII-2-W5-335-2017.pdf</self-uri>
<abstract>
<p>“Digital heritage”, as defined in this paper, is the integration of cultural heritage with digitization technology (“cultural heritage +
digitization”), and of digital knowledge with research. It includes not only the three conventional aspects of cultural heritage
digitization—digital collection and documentation, digital research and information management, digital presentation and
interpretation—but also the creation and innovative use/application of the digital content (cultural heritage intellectual property/IP,
experiential education, cultural tourism, film and media). Through analysis of two case studies, the Palazzo Valentini in Rome, Italy,
and the Old Summer Palace (Yuanmingyuan) in Beijing, China, the paper assesses the concept of “digital heritage” and proposes a
conceptual framework to capture recent developments and future prospects with regard to the industry.</p>
</abstract>
<counts><page-count count="8"/></counts>
</article-meta>
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