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<front>
<journal-meta>
<journal-id journal-id-type="publisher">ISPRS-Archives</journal-id>
<journal-title-group>
<journal-title>ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences</journal-title>
<abbrev-journal-title abbrev-type="publisher">ISPRS-Archives</abbrev-journal-title>
<abbrev-journal-title abbrev-type="nlm-ta">Int. Arch. Photogramm. Remote Sens. Spatial Inf. Sci.</abbrev-journal-title>
</journal-title-group>
<issn pub-type="epub">2194-9034</issn>
<publisher><publisher-name>Copernicus Publications</publisher-name>
<publisher-loc>Göttingen, Germany</publisher-loc>
</publisher>
</journal-meta>
<article-meta>
<article-id pub-id-type="doi">10.5194/isprs-archives-XLII-2-W5-497-2017</article-id>
<title-group>
<article-title>INTEGRATION OF 3D MODELS AND DIAGNOSTIC ANALYSES THROUGH A
CONSERVATION-ORIENTED INFORMATION SYSTEM</article-title>
</title-group>
<contrib-group><contrib contrib-type="author" xlink:type="simple"><name name-style="western"><surname>Mandelli</surname>
<given-names>A.</given-names>
</name>
<xref ref-type="aff" rid="aff1">
<sup>1</sup>
</xref>
</contrib>
<contrib contrib-type="author" xlink:type="simple"><name name-style="western"><surname>Achille</surname>
<given-names>C.</given-names>
</name>
<xref ref-type="aff" rid="aff1">
<sup>1</sup>
</xref>
</contrib>
<contrib contrib-type="author" xlink:type="simple"><name name-style="western"><surname>Tommasi</surname>
<given-names>C.</given-names>
</name>
<xref ref-type="aff" rid="aff1">
<sup>1</sup>
</xref>
</contrib>
<contrib contrib-type="author" xlink:type="simple"><name name-style="western"><surname>Fassi</surname>
<given-names>F.</given-names>
</name>
<xref ref-type="aff" rid="aff1">
<sup>1</sup>
</xref>
</contrib>
</contrib-group><aff id="aff1">
<label>1</label>
<addr-line>Architecture, Built environment and Construction engineering (A.B.C.) Department, Politecnico di Milano, Milano, Italy</addr-line>
</aff>
<pub-date pub-type="epub">
<day>21</day>
<month>08</month>
<year>2017</year>
</pub-date>
<volume>XLII-2/W5</volume>
<fpage>497</fpage>
<lpage>504</lpage>
<permissions>
<license license-type="open-access">
<license-p>This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this licence, visit <ext-link ext-link-type="uri" xlink:href="https://creativecommons.org/licenses/by/4.0/">https://creativecommons.org/licenses/by/4.0/</ext-link></license-p>
</license>
</permissions>
<self-uri xlink:href="https://isprs-archives.copernicus.org/articles/isprs-archives-XLII-2-W5-497-2017.html">This article is available from https://isprs-archives.copernicus.org/articles/isprs-archives-XLII-2-W5-497-2017.html</self-uri>
<self-uri xlink:href="https://isprs-archives.copernicus.org/articles/isprs-archives-XLII-2-W5-497-2017.pdf">The full text article is available as a PDF file from https://isprs-archives.copernicus.org/articles/isprs-archives-XLII-2-W5-497-2017.pdf</self-uri>
<abstract>
<p>In the recent years, mature technologies for producing high quality virtual 3D replicas of Cultural Heritage (CH) artefacts has grown
thanks to the progress of Information Technologies (IT) tools. These methods are an efficient way to present digital models that can
be used with several scopes: heritage managing, support to conservation, virtual restoration, reconstruction and colouring, art
cataloguing and visual communication. The work presented is an emblematic case of study oriented to the preventive conservation
through monitoring activities, using different acquisition methods and instruments. It was developed inside a project founded by
Lombardy Region, Italy, called “Smart Culture”, which was aimed to realise a platform that gave the users the possibility to easily
access to the CH artefacts, using as an example a very famous statue. The final product is a 3D reality-based model that contains a
lot of information inside it, and that can be consulted through a common web browser. In the end, it was possible to define the
general strategies oriented to the maintenance and the valorisation of CH artefacts, which, in this specific case, must consider the
integration of different techniques and competencies, to obtain a complete, accurate and continuative monitoring of the statue.</p>
</abstract>
<counts><page-count count="8"/></counts>
</article-meta>
</front>
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