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<front>
<journal-meta>
<journal-id journal-id-type="publisher">ISPRS-Archives</journal-id>
<journal-title-group>
<journal-title>The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences</journal-title>
<abbrev-journal-title abbrev-type="publisher">ISPRS-Archives</abbrev-journal-title>
<abbrev-journal-title abbrev-type="nlm-ta">Int. Arch. Photogramm. Remote Sens. Spatial Inf. Sci.</abbrev-journal-title>
</journal-title-group>
<issn pub-type="epub">2194-9034</issn>
<publisher><publisher-name>Copernicus Publications</publisher-name>
<publisher-loc>Göttingen, Germany</publisher-loc>
</publisher>
</journal-meta>
<article-meta>
<article-id pub-id-type="doi">10.5194/isprs-archives-XLII-3-1169-2018</article-id>
<title-group>
<article-title>THE COMPARISON BETWEEN NMF AND ICA IN PIGMENT MIXTURE IDENTIFICATION OF ANCIENT CHINESE PAINTINGS</article-title>
</title-group>
<contrib-group><contrib contrib-type="author" xlink:type="simple"><name name-style="western"><surname>Liu</surname>
<given-names>Y.</given-names>
</name>
<xref ref-type="aff" rid="aff1">
<sup>1</sup>
</xref>
</contrib>
<contrib contrib-type="author" xlink:type="simple"><name name-style="western"><surname>Lyu</surname>
<given-names>S.</given-names>
</name>
<xref ref-type="aff" rid="aff1">
<sup>1</sup>
</xref>
<xref ref-type="aff" rid="aff2">
<sup>2</sup>
</xref>
<xref ref-type="aff" rid="aff3">
<sup>3</sup>
</xref>
</contrib>
<contrib contrib-type="author" xlink:type="simple"><name name-style="western"><surname>Hou</surname>
<given-names>M.</given-names>
</name>
<xref ref-type="aff" rid="aff1">
<sup>1</sup>
</xref>
<xref ref-type="aff" rid="aff2">
<sup>2</sup>
</xref>
<xref ref-type="aff" rid="aff3">
<sup>3</sup>
</xref>
</contrib>
<contrib contrib-type="author" xlink:type="simple"><name name-style="western"><surname>Yin</surname>
<given-names>Q.</given-names>
</name>
<xref ref-type="aff" rid="aff2">
<sup>2</sup>
</xref>
</contrib>
</contrib-group><aff id="aff1">
<label>1</label>
<addr-line>School of Geomatics and Urban Spatial Informatics, Beijing University of Civil Engineering and Architecture, No.15Yongyuan Road, Daxing District, Beijing, 102616, China</addr-line>
</aff>
<aff id="aff2">
<label>2</label>
<addr-line>Beijing Key Laboratory For Architectural Heritage Fine Reconstruction &amp; Health Monitoring, No.15Yongyuan Road, Daxing District, Beijing, 102616, China</addr-line>
</aff>
<aff id="aff3">
<label>3</label>
<addr-line>Engineering Research Center of Representative Building and Architectural Heritage Database, Ministry of Education, No.15Yongyuan Road, Daxing District, Beijing, 102616, China</addr-line>
</aff>
<pub-date pub-type="epub">
<day>30</day>
<month>04</month>
<year>2018</year>
</pub-date>
<volume>XLII-3</volume>
<fpage>1169</fpage>
<lpage>1172</lpage>
<permissions>
<copyright-statement>Copyright: &#x000a9; 2018 Y. Liu et al.</copyright-statement>
<copyright-year>2018</copyright-year>
<license license-type="open-access">
<license-p>This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this licence, visit <ext-link ext-link-type="uri"  xlink:href="https://creativecommons.org/licenses/by/4.0/">https://creativecommons.org/licenses/by/4.0/</ext-link></license-p>
</license>
</permissions>
<self-uri xlink:href="https://isprs-archives.copernicus.org/articles/XLII-3/1169/2018/isprs-archives-XLII-3-1169-2018.html">This article is available from https://isprs-archives.copernicus.org/articles/XLII-3/1169/2018/isprs-archives-XLII-3-1169-2018.html</self-uri>
<self-uri xlink:href="https://isprs-archives.copernicus.org/articles/XLII-3/1169/2018/isprs-archives-XLII-3-1169-2018.pdf">The full text article is available as a PDF file from https://isprs-archives.copernicus.org/articles/XLII-3/1169/2018/isprs-archives-XLII-3-1169-2018.pdf</self-uri>
<abstract>
<p>Since the colour in painting cultural relics observed by our naked eyes or hyperspectral cameras is usually a mixture of several kinds of pigments, the mixed pigments analysis will be an important subject in the field of ancient painting conservation and restoration. This paper aims to find a more effective method to confirm the types of every pure pigment from mixture on the surface of paintings. Firstly, we adopted two kinds of blind source separation algorithms, which are independent component analysis and non-negative matrix factorization, to extract the pure pigment component from mixed spectrum respectively. Moreover, we matched the separated pure spectrum with the pigments spectra library built by our team to determine the pigment type. Furthermore, three kinds of data including simulation data, mixed pigments spectral data measured in laboratory, and the spectral data of an ancient painting were chosen to evaluate the performance of the different algorithms. And the accuracy was compared between the two algorithms. Finally, the experimental results show that non-negative matrix factorization method is more suitable for endmember extraction in the field of ancient painting conservation and restoration.</p>
</abstract>
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