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<front>
<journal-meta>
<journal-id journal-id-type="publisher">ISPRS-Archives</journal-id>
<journal-title-group>
<journal-title>The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences</journal-title>
<abbrev-journal-title abbrev-type="publisher">ISPRS-Archives</abbrev-journal-title>
<abbrev-journal-title abbrev-type="nlm-ta">Int. Arch. Photogramm. Remote Sens. Spatial Inf. Sci.</abbrev-journal-title>
</journal-title-group>
<issn pub-type="epub">2194-9034</issn>
<publisher><publisher-name>Copernicus Publications</publisher-name>
<publisher-loc>Göttingen, Germany</publisher-loc>
</publisher>
</journal-meta>
<article-meta>
<article-id pub-id-type="doi">10.5194/isprs-archives-XLII-5-W1-235-2017</article-id>
<title-group>
<article-title>THE COMPLEX POINT CLOUD FOR THE KNOWLEDGE OF THE ARCHITECTURAL HERITAGE. SOME EXPERIENCES</article-title>
</title-group>
<contrib-group><contrib contrib-type="author" xlink:type="simple"><name name-style="western"><surname>Aveta</surname>
<given-names>C.</given-names>
</name>
<xref ref-type="aff" rid="aff1">
<sup>1</sup>
</xref>
</contrib>
<contrib contrib-type="author" xlink:type="simple"><name name-style="western"><surname>Salvatori</surname>
<given-names>M.</given-names>
</name>
<xref ref-type="aff" rid="aff1">
<sup>1</sup>
</xref>
</contrib>
<contrib contrib-type="author" xlink:type="simple"><name name-style="western"><surname>Vitelli</surname>
<given-names>G. P.</given-names>
</name>
<xref ref-type="aff" rid="aff1">
<sup>1</sup>
</xref>
</contrib>
</contrib-group><aff id="aff1">
<label>1</label>
<addr-line>History and Conservation of Architectural Heritage at the University of Naples Federico II, Italy</addr-line>
</aff>
<pub-date pub-type="epub">
<day>15</day>
<month>05</month>
<year>2017</year>
</pub-date>
<volume>XLII-5/W1</volume>
<fpage>235</fpage>
<lpage>244</lpage>
<permissions>
<copyright-statement>Copyright: &#x000a9; 2017 C. Aveta et al.</copyright-statement>
<copyright-year>2017</copyright-year>
<license license-type="open-access">
<license-p>This work is licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this licence, visit <ext-link ext-link-type="uri"  xlink:href="https://creativecommons.org/licenses/by/3.0/">https://creativecommons.org/licenses/by/3.0/</ext-link></license-p>
</license>
</permissions>
<self-uri xlink:href="https://isprs-archives.copernicus.org/articles/XLII-5-W1/235/2017/isprs-archives-XLII-5-W1-235-2017.html">This article is available from https://isprs-archives.copernicus.org/articles/XLII-5-W1/235/2017/isprs-archives-XLII-5-W1-235-2017.html</self-uri>
<self-uri xlink:href="https://isprs-archives.copernicus.org/articles/XLII-5-W1/235/2017/isprs-archives-XLII-5-W1-235-2017.pdf">The full text article is available as a PDF file from https://isprs-archives.copernicus.org/articles/XLII-5-W1/235/2017/isprs-archives-XLII-5-W1-235-2017.pdf</self-uri>
<abstract>
<p>The present paper aims to present a series of experiences and experimentations that a group of PhD from the University of Naples Federico II conducted over the past decade. This work has concerned the survey and the graphic restitution of monuments and works of art, finalized to their conservation. The targeted query of complex point cloud acquired by 3D scanners, integrated with photo sensors and thermal imaging, has allowed to explore new possibilities of investigation.
&lt;br&gt;&lt;br&gt;
In particular, we will present the scientific results of the experiments carried out on some important historical artifacts with distinct morphological and typological characteristics.
&lt;br&gt;&lt;br&gt;
According to aims and needs that emerged during the connotative process, with the support of archival and iconographic historical research, the laser scanner technology has been used in many different ways. New forms of representation, obtained directly from the point cloud, have been tested for the elaboration of thematic studies for documenting the pathologies and the decay of materials, for correlating visible aspects with invisible aspects of the artifact.</p>
</abstract>
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