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<front>
<journal-meta>
<journal-id journal-id-type="publisher">ISPRS-Archives</journal-id>
<journal-title-group>
<journal-title>The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences</journal-title>
<abbrev-journal-title abbrev-type="publisher">ISPRS-Archives</abbrev-journal-title>
<abbrev-journal-title abbrev-type="nlm-ta">Int. Arch. Photogramm. Remote Sens. Spatial Inf. Sci.</abbrev-journal-title>
</journal-title-group>
<issn pub-type="epub">2194-9034</issn>
<publisher><publisher-name>Copernicus Publications</publisher-name>
<publisher-loc>Göttingen, Germany</publisher-loc>
</publisher>
</journal-meta>
<article-meta>
<article-id pub-id-type="doi">10.5194/isprs-archives-XLVIII-M-2-2023-607-2023</article-id>
<title-group>
<article-title>APPLICATION IN CULTURAL HERITAGE OF STEREOLITOGRAPHY TECHNIQUES FOR THE 3D REPRODUCTION</article-title>
</title-group>
<contrib-group><contrib contrib-type="author" xlink:type="simple"><name name-style="western"><surname>Frigione</surname>
<given-names>M.</given-names>
</name>
<xref ref-type="aff" rid="aff1">
<sup>1</sup>
</xref>
</contrib>
<contrib contrib-type="author" xlink:type="simple"><name name-style="western"><surname>Montagna</surname>
<given-names>F.</given-names>
</name>
<xref ref-type="aff" rid="aff1">
<sup>1</sup>
</xref>
</contrib>
</contrib-group><aff id="aff1">
<label>1</label>
<addr-line>Department of Innovation Engineering, University of Salento, Italy</addr-line>
</aff>
<pub-date pub-type="epub">
<day>24</day>
<month>06</month>
<year>2023</year>
</pub-date>
<volume>XLVIII-M-2-2023</volume>
<fpage>607</fpage>
<lpage>612</lpage>
<permissions>
<copyright-statement>Copyright: &#x000a9; 2023 M. Frigione</copyright-statement>
<copyright-year>2023</copyright-year>
<license license-type="open-access">
<license-p>This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this licence, visit <ext-link ext-link-type="uri"  xlink:href="https://creativecommons.org/licenses/by/4.0/">https://creativecommons.org/licenses/by/4.0/</ext-link></license-p>
</license>
</permissions>
<self-uri xlink:href="https://isprs-archives.copernicus.org/articles/XLVIII-M-2-2023/607/2023/isprs-archives-XLVIII-M-2-2023-607-2023.html">This article is available from https://isprs-archives.copernicus.org/articles/XLVIII-M-2-2023/607/2023/isprs-archives-XLVIII-M-2-2023-607-2023.html</self-uri>
<self-uri xlink:href="https://isprs-archives.copernicus.org/articles/XLVIII-M-2-2023/607/2023/isprs-archives-XLVIII-M-2-2023-607-2023.pdf">The full text article is available as a PDF file from https://isprs-archives.copernicus.org/articles/XLVIII-M-2-2023/607/2023/isprs-archives-XLVIII-M-2-2023-607-2023.pdf</self-uri>
<abstract>
<p>With the use of stereolithography, one of the most widespread and old rapid prototyping techniques, it is possible to reproduce objects, damaged or missing parts, faithful replicas of interest in the field of Cultural Heritage. In this work, some of the applications of the stereolithography technique to replicate objects or missing parts of artistic or cultural interest, are illustrated. The aim of the Authors is to highlight the potential, the advantages, and also the limits if any, of this technique when applied in the field of Cultural Heritage for various needs, reporting some real cases of objects obtained in the laboratory with stereolithography.</p>
</abstract>
<counts><page-count count="6"/></counts>
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</front>
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