REPLICAS IN CULTURAL HERITAGE: 3D PRINTING AND THE MUSEUM EXPERIENCE

29 citations as recorded by crossref.

1. Designing 3-D Prints for Blind and Partially Sighted Audiences in Museums: Exploring the Needs of Those Living with Sight Loss P. Wilson et al.
2. Application of Smart Modelling Framework for Traditional Wooden Architecture J. Zhang et al.
3. Inclusive Museum Engagement: Multisensory Storytelling of Cagli Warriors’ Journey and the Via Flamina Landscape Through Interactive Tactile Experiences and Digital Replicas P. Clini et al.
4. A low-cost methodology for quality inspection of metal additive manufactured parts D. de Moraes Coelho et al.
5. Creating a Haptic 3D Model of Wenceslas Hill in Olomouc R. Lazna et al.
6. Photogrammetry and 3D Printing for Marble Statues Replicas: Critical Issues and Assessment V. Bonora et al.
7. From Point Cloud To Video Projection Mapping: Knowing Modern Architecture By Using Light Projection A. Martino & C. Balletti
8. A Review of Photogrammetry and Photorealistic 3D Models in Education From a Psychological Perspective S. Nebel et al.
9. The use of LiDAR for the documentation and modelling of cultural heritage sites hidden by the forest canopy N. Žižlavská & S. Herber
10. Standardization of digitized heritage: a review of implementations of 3D in cultural heritage M. Storeide et al.
11. 3D printing of molds for the creation of facsimiles and volumetric reintegrations in wax anatomical sculptures E. Sterp Moga et al.
12. Tactile 3D-printed media interaction with the color surface features of paintings. The case of the Scream (1910?) painting P. Stavroulakis et al.
13. Assisting Pottery Restoration Procedures with Digital Technologies I. Kalasarinis & A. Koutsoudis
14. An Application of Integrated 3D Technologies for Replicas in Cultural Heritage C. Balletti & M. Ballarin
15. Restitution and replication: the role of 3D technology replicas in cultural restitution practices M. Shehade & T. Stylianou-Lambert
16. Development of a Touchable Replica for Inclusive Experiences of Religious Artifacts R. Melendreras Ruiz et al.
17. Improving Accessibility of in-situ Paleontological Geoheritage Via Digital Conservation: A Case-Study Using iPad-Based LiDAR in the Niagara Aspiring Geopark D. Dick et al.
18. Analog-to-digital conversion of information archived in display holograms: II. photogrammetric digitization E. Rabosh et al.
19. 3D PRINTING FOR PHOTOGRAPHIC RELIEF SCULPTURES J. Patel et al.
20. Human evolution in your hands. Inclusive education with 3D-printed TYPHLOLOGICAL replicas S. Díaz-Navarro & S. Sánchez De La Parra-Pérez
21. 3D Digital Preservation, Presentation, and Interpretation of Wooden Cultural Heritage on the Example of Sculptures of the FormaViva Kostanjevica Na Krki Collection A. Učakar et al.
22. Digital Technologies and the Role of Data in Cultural Heritage: The Past, the Present, and the Future V. Poulopoulos & M. Wallace
23. Dealing with Illicit Trade in Cultural Objects in the Context of Cultural Heritage Management for Museums I. Stamatoudi & K. Roussos
24. The texture of Chinese garden rockery stones: based on 3D point cloud and 3D printing technology Q. Dong et al.
25. A Methodology for Enhancing the Accessibility of Scientific Museum’s Collections (SCAMP) R. Grillo et al.
26. Methodology for the Application of 3D Technologies for the Conservation and Recovery of Built Heritage Elements I. Bourgeois et al.
27. Empowering Independence for Visually Impaired Museum Visitors Through Enhanced Accessibility T. Nasser et al.
28. Reverse-Engineering History: Re-presenting the Chichester Tablet Using Laser Scanning and 3D Printing P. Wilson et al.
29. Research on 3D Printing Accuracy Enhancement Techniques for Styling Design in the Intersection of Art and Engineering W. Hao et al.