REPLICAS IN CULTURAL HERITAGE: 3D PRINTING AND THE MUSEUM EXPERIENCE

33 citations as recorded by crossref.

1. Designing 3-D Prints for Blind and Partially Sighted Audiences in Museums: Exploring the Needs of Those Living with Sight Loss P. Wilson et al. https://doi.org/10.1080/10645578.2020.1776562
2. Application of Smart Modelling Framework for Traditional Wooden Architecture J. Zhang et al. https://doi.org/10.3390/buildings14072130
3. Inclusive Museum Engagement: Multisensory Storytelling of Cagli Warriors’ Journey and the Via Flamina Landscape Through Interactive Tactile Experiences and Digital Replicas P. Clini et al. https://doi.org/10.3390/heritage8020061
4. A low-cost methodology for quality inspection of metal additive manufactured parts D. de Moraes Coelho et al. https://doi.org/10.1007/s40430-022-03580-1
5. Creating a Haptic 3D Model of Wenceslas Hill in Olomouc R. Lazna et al. https://doi.org/10.3390/app122110817
6. Photogrammetry and 3D Printing for Marble Statues Replicas: Critical Issues and Assessment V. Bonora et al. https://doi.org/10.3390/su13020680
7. From Point Cloud To Video Projection Mapping: Knowing Modern Architecture By Using Light Projection A. Martino & C. Balletti https://doi.org/10.1088/1742-6596/2204/1/012063
8. A Review of Photogrammetry and Photorealistic 3D Models in Education From a Psychological Perspective S. Nebel et al. https://doi.org/10.3389/feduc.2020.00144
9. The use of LiDAR for the documentation and modelling of cultural heritage sites hidden by the forest canopy N. Žižlavská & S. Herber https://doi.org/10.17221/53/2025-JFS
10. Standardization of digitized heritage: a review of implementations of 3D in cultural heritage M. Storeide et al. https://doi.org/10.1186/s40494-023-01079-z
11. 3D printing of molds for the creation of facsimiles and volumetric reintegrations in wax anatomical sculptures E. Sterp Moga et al. https://doi.org/10.1186/s40494-022-00838-8
12. Touchable cultural heritage: How alternative touch experience facilitates visitors’ cultural inheritance behavior Y. Li & L. Wan https://doi.org/10.1016/j.tourman.2026.105539
13. Tactile 3D-printed media interaction with the color surface features of paintings. The case of the Scream (1910?) painting P. Stavroulakis et al. https://doi.org/10.3389/fcomp.2025.1597880
14. Powder bed fusion printing process applied to the restoration of cultural heritage: Mechanical and durability experimental investigation of PA12 E. Monaldo et al. https://doi.org/10.1016/j.culher.2026.06.006
15. Assisting Pottery Restoration Procedures with Digital Technologies I. Kalasarinis & A. Koutsoudis https://doi.org/10.4018/IJCMHS.2019010102
16. An Application of Integrated 3D Technologies for Replicas in Cultural Heritage C. Balletti & M. Ballarin https://doi.org/10.3390/ijgi8060285
17. Restitution and replication: the role of 3D technology replicas in cultural restitution practices M. Shehade & T. Stylianou-Lambert https://doi.org/10.1080/13527258.2025.2591633
18. Development of a Touchable Replica for Inclusive Experiences of Religious Artifacts R. Melendreras Ruiz et al. https://doi.org/10.1111/cura.12469
19. Improving Accessibility of in-situ Paleontological Geoheritage Via Digital Conservation: A Case-Study Using iPad-Based LiDAR in the Niagara Aspiring Geopark D. Dick et al. https://doi.org/10.1007/s12371-025-01127-z
20. Analog-to-digital conversion of information archived in display holograms: II. photogrammetric digitization E. Rabosh et al. https://doi.org/10.1364/JOSAA.478499
21. 3D PRINTING FOR PHOTOGRAPHIC RELIEF SCULPTURES J. Patel et al. https://doi.org/10.29121/shodhkosh.v6.i5s.2025.6887
22. Human evolution in your hands. Inclusive education with 3D-printed TYPHLOLOGICAL replicas S. Díaz-Navarro & S. Sánchez De La Parra-Pérez https://doi.org/10.1080/00219266.2021.1909635
23. 3D Digital Preservation, Presentation, and Interpretation of Wooden Cultural Heritage on the Example of Sculptures of the FormaViva Kostanjevica Na Krki Collection A. Učakar et al. https://doi.org/10.3390/app12178445
24. Digital Technologies and the Role of Data in Cultural Heritage: The Past, the Present, and the Future V. Poulopoulos & M. Wallace https://doi.org/10.3390/bdcc6030073
25. Dealing with Illicit Trade in Cultural Objects in the Context of Cultural Heritage Management for Museums I. Stamatoudi & K. Roussos https://doi.org/10.4467/2450050XSNR.23.024.18644
26. The texture of Chinese garden rockery stones: based on 3D point cloud and 3D printing technology Q. Dong et al. https://doi.org/10.1038/s40494-025-01582-5
27. A Methodology for Enhancing the Accessibility of Scientific Museum’s Collections (SCAMP) R. Grillo et al. https://doi.org/10.1145/3719015
28. Methodology for the Application of 3D Technologies for the Conservation and Recovery of Built Heritage Elements I. Bourgeois et al. https://doi.org/10.1080/15583058.2024.2341327
29. Empowering Independence for Visually Impaired Museum Visitors Through Enhanced Accessibility T. Nasser et al. https://doi.org/10.3390/s25154811
30. User Experience in Automated Digital Heritage Workflows: Integrating 3D Scanning, Additive Manufacturing, and XR for Inclusive Educational and Cultural Access E. Alysandratou et al. https://doi.org/10.3390/app16147062
31. Anisotropic Adapted Meshes for Image Segmentation: Application to Three-Dimensional Medical Data F. Clerici et al. https://doi.org/10.1137/20M1348303
32. Reverse-Engineering History: Re-presenting the Chichester Tablet Using Laser Scanning and 3D Printing P. Wilson et al. https://doi.org/10.1080/00393630.2022.2131204
33. Research on 3D Printing Accuracy Enhancement Techniques for Styling Design in the Intersection of Art and Engineering W. Hao et al. https://doi.org/10.2478/amns-2024-2527