3D RECONSTRUCTION AND PRESENTATION OF CULTURAL HERITAGE: AR AND VR EXPERIENCES AT THE MUSEO D’ARTE ORIENTALE DI TORINO

7 citations as recorded by crossref.

1. Systematic integration of 2D and 3D sources for the virtual reconstruction of lost heritage artefacts: the equestrian monument of Francesco III d’Este (1774–1796, Modena, Italy) F. Gherardini & S. Sirocchi https://doi.org/10.1186/s40494-022-00711-8
2. Heritage Enhancement through Digital Tools for Sustainable Fruition—A Conceptual Framework F. Maietti https://doi.org/10.3390/su151511799
3. 3D Reconstruction based on multi-view stereo in the deep learning era: a survey and comparison of methods B. Song et al. https://doi.org/10.1007/s00371-025-04184-1
4. Designing the presentation of Dunhuang fresco art based on perceptron technology in the context of artificial intelligence P. Zhu & W. Chung https://doi.org/10.2478/amns.2023.2.00135
5. Gamified VR Storytelling for Cultural Tourism Using 3D Reconstructions, Virtual Humans, and 360° Videos E. Kontogiorgakis et al. https://doi.org/10.3390/technologies12060073
6. The Use of Immersive Technologies as a Representation Tool in the Protection of Archaeological Heritage M. ÖZTÜRK https://doi.org/10.26835/my.1352984
7. The Virtual Reconstruction of a Statue of Isis Unearthed at the Roman City of Clunia (Spain): A 3D Model for Interactive Virtual Reality Experiences B. Rodriguez-Garcia et al. https://doi.org/10.1145/3774911